это всё правда или шутка?
My workflow: This is what people enjoy reading the most.
1. Shoot RAW at lowest sharpening setting. (Zero sharpening)
2. RAW selection. I spend a few hours over the follow days after a shoot looking through the RAWs and choosing which to develop. RAW selection is done by me only.
3. RAW files are developed in Phase One (Capture One Pro) as a 16 bit TIF files and with a sharpening setting of Zero.
4. First retouch: Spot cleaning and diffusion done as layers in Photoshop. This is done by my Photoshop soldiers as we call them.
5. Second retouch: Done by my senior editor Heidi Kristensen, know as PixelChick in the stock community. Heidi takes care of Photoshop editing that requires a high degree of after-editing and know-how.
6. Calibration: Following second editing all files go to the calibration folder. Here files are calibrated in white-balance, exposure, contrast..etc. This third editing is done me, and files are not allowed to be sent for keywording before they have “hovered” in the calibration folder for at least a week. This is because a lot of smaller mistakes and re-touching needs time away from the screen to become visible.
7. Pictures are saved in Tiff-storage folder as a 16bit with layers and as a Jpg in the keywording folder.
8. First narrating: (title, description and keywording) is done by my English assistant and files are put in “needs keyword check” folder
9. Second narrating and keyword check is done by me. I ad, take away or redo narrating according to microstock standards about keywording. Pictures are keyworded separately depending on which agency they are being uploaded to. Before looking at the narrating done by first narrator I write to a word documents the most essential “arch-keyword” for each picture. I then ad these keywords to the file. I do this to avoid leaving out essential keywords, that first narrator might have forgotten.
10. Pictures are put in batches. When a batch reaches 50 pictures we close it and upload this to all agencies. (I submit to a total of 16 stock agencies, both microstock and “high-priced stock and some not official jet)
11. My three uploades take care of kategorising, disambiguitising and attaching model-releases to all pictures on all agencies. On some agencies the agency manually translates all narrating into German and Spanish.
http://www.dreamstime.com/Yuri_Arcurs_info
кто-нибудь успел скопировать себе то, что было до этого написано про технику съемки? кстати, как вы снимаете людей? точка фокусировки на автомате, все время двигаете точку или точка одна, а двигаете камеру после фокусировки?
скопирую и это, а то вдруг скоро поменяет
Cameras: Two Canon 1Ds (Normally one with a prime and one with a zoom) One Canon 5D (for my assistants to play around with) One 16Gb CF flash card Ultra (Got this card three days ago) and two 4gb ones. Lenses: Canon 14mm Ultra Wide Angle. Canon 28-70, 2.8L Sigma 50mm Prime, Macro 2.8 Canon 85mm 1.2L Canon 135mm 2.0L Canon 70-200 2.8L IS USM Canon 180mm Macro 3.5L Canon 300mm 2.8 IS USM (used rarely) Canon 1.4X and 2.0X extender. One Canon WFT-E1 Wireless LAN File Transmitter Lighting and Flash: One Sekonic L-608 light meter with wireless pocket wizard radio transmitter Four Profoto 600watts strobes. Powered (non-battery, but extremely expensive) Six dual channel Pocket Wizards for syncing flash. (one for each flash and one for me and my assistant) About 10 different umbrellas, softboxes and diffusers. From 1ft to 9ft in diameter. About 5 reflectors, mostly huge ones. Three Canon 430ex flash and one Canon transceiver for sync. (Travel setup) About ten different stands and tripods. I mostly use the manfrotto neotec monopod. Computers. One G5 Mac for my assistant. With one 24” Dell One “homebuild” dual core for me (Faster than the mac) also with a 24” Dell. With 4gb Ram and about 3Tb of hard drive capacity. We use this computer as a server as well. Two smaller PCs for my other assistants
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